Just discovered this Swedish TV special of Aretha live in 1968. Not much to say here but damn.
Spent the weekend obsessively listening to Ambling Alp by Yeasayer and discovered Bettye Lavette. HAve a great deal to think/write about both of them. But for now, there’s end-of-year Jukeboxery to deal with.
For nigh on a year, I’ve been plagued by a repeated loop of musical magic running through my head: Passion Pit’s Sleepyhead – or more specifically, that otherworldly sample that forms its core. Somehow I never managed to figure out where it came from and now I know why. The sample is from the Gaelic recording Oro Mo Bhaidin by Mary O’Hara, a fairly famous Irish harpist whose pinnacle of musical output was in the 50s and 60s. Perhaps it’s just my soft spot for Gaelic tunesmithery due to family vacations in Nova Scotia and overexposure to The Rankins as a child, but the original recording seems almost as magical as the Kanye-fied chipmunk soul loop Michael Angelakos sings over top of in Sleepyhead.
Unfortunately, while Gaelic is on the list of languages-to-learn, right after Arabic, Yiddish and Hindi, I haven’t gotten around to it yet, and thus have no idea what Ms. O’Hara is going on about. Anyone care to take a crack at it?
Oro Mo Bhaidin – Mary O’Hara
Solange (yes, Beyonce’s sister) put out one of the best albums of last year: Sol-Angel and the Hadley St. Dreams, a groovy Motown/Brill Building throwback laced with Boards of Canada samples and electronica. Dirty Projectors put out what might be the best album of this year: Bitte Orca. The collision of these two awesome things into one super awesome thing is something pretty damn awesome. Solange covers Stillness is the Move, flipping the same sample Erykah used in Bag Lady.
While I’m loathe to call this a better version (for one thing, it’s missing the totally mesmerizing trilled guitar work of Dave Longstreth), it’s a damn good take on Stillness.
Stillness is the Move – Solange [MP3], courtesy of Pitchfork